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Technology, Law, and Privacy: Gone With the Wind?

Data protection has been a fundamental right since 1970 and it is getting more and more important with advances in technology. Without an effective data protection framework many crucial aspects of a democratic society such as the right to have a private life, freedom of speech, presumption of innocence, and human dignity in general would be at stake. From that perspective, all democratic countries have implemented an effective data protection legal framework. Besides that, United Nations, European Council, European Union, OECD, APEC and many other international bodies issued declarations regarding privacy and data protection. However, the legal framework for data protection in Turkey is still not at a desired level. On the other hand, there are large scale IT projects in Turkey especially regarding the education and health sectors. Among those, FATIH project is getting attention worldwide. With FATIH project, it is expected that every student will have a tablet computer in the near future, and the whole education system will be computerized. Health is another sector where IT tranformation is going on at full speed. IT revolution is important for turkey in order to have a more effective Health and Education System. However, we believe that there is not much investment in assesing the privacy impact of using IT technology in health and education though such large scale projects with centralized data storage systems. In fact data protection in education and health is still a topic of discussion in academia. The aim of this conference is to create a platform to discuss the current status in Turkey regarding data privacy with special focus on Education and Health data.

First day of the conference will be dedicated to privacy in education including a geneal session on social media which is very popular in Turkey especially among young people. The second day of the conference will be dedicated to data protection in health sector. We plan to discuss the current status in the world and in Turkey with participation form government institutions, private sector, and experts from academia.

Date: 9-10 June, 2014

Venue:

9 June, 2014 - Bahçeşehir University-Beşiktaş Campus (Çırağan Caddesi Osmanpaşa Mektebi Sokak No: 4 – 6 34353 Beşiktaş, İstanbul)

10 June, 2014 -İstanbul Bilgi University-Santralistanbul (Eski Silahtarağa Elektrik Santralı, Kazım Karabekir Cad. No: 2/13 34060 Eyüp İstanbul)

Web: tlpc.modap.org

2013-2014 Academic Year Summer School Special Student Applications

Students holding Bachelor's, Master's or Doctorate degrees or students enrolled at universities other than Sabancı University can apply to the courses, to participate as a special student at Sabancı University . An online application is required to be a Summer School special student at Sabancı.
For application, the document certifying that the student has passed one of the national and/or international foreign language examinations at a level determined by the university (click to see language exemption exams for undergraduate level) or an official document indicating the program's education language prepared by the Student Affairs Office of the university the applicant enrolled at (preferably enclosed) (for the fully English teaching institution) is required. 

Approval for special student application cannot be considered as an approval for a diploma programs.  In accordance with the related regulation, special students are not considered as Sabancı University students and cannot benefit from the student rights.
At the end of special student term, an official transcript on which courses registered and grades are printed may be given to special students upon request.

Deadline for application: June 09,2014.


2013-2014 Academic Year Summer School Special Student Application

2013-2014 Academic Year Summer School Modern Turkish Language Application


Mailing Address:
Sabancı University
Student Resources Unit
Orta Mahalle, Üniversite Cd. No:27
34956 Orhanlı-Tuzla
İSTANBUL, TR

Phone: 0216 483 90 93
Fax: 0216 483 90 73

E-mail: studentinfo@sabanciuniv.edu,ssadmission@sabanciuniv.edu

Language Teaching Conference by School of Languages

School of Languages welcomes participants on May 30th & 31st to a language teaching conference which will take place at Minerva Palas. Learner Autonomy along with Teacher Autonomy will be discussed in the conference under the theme “Learners & Teachers on the Road to Autonomy”. The conference will host delegates from a wide variety of countries. 

Three internationally acclaimed researchers and practitioners in the field of learner autonomy will address the vital issues of Learner & Teacher Autonomy in their plenary talks at the conference organized by Sabanci University School of Languages and IATEFL LASIG.

For more detail: http://lasig2014.sabanciuniv.edu/  

The new issue of the new SUdergi is out!

The May 2014 issue of SUdergi, the popular culture journal of Sabancı University, is out.  The 17th issue of SUdergi has a variety of interesting topics to appeal to all readers.

The cover story of SUdergi is an interview by Elif Gülez with Faculty of Arts and Social Sciences professor Ersin Kalaycıoğlu on Conservatism, Democracy, Gezi Park Protests and Civil Society.

SUdergi is now available online and mobile!



Starting with the May 2014 issue, SUdergi will now be available online in Turkish and English.

The full selection of exclusive SUdergi articles and stories are now available on the web and on all mobile devices through issuu.com – one of the world’s largest online journal newsstands with more than 15.000 journals.

Click here to read the new SUdergi.

9th Sakıp Sabancı International Research Awards given

Sakıp Sabancı International Research Awards were given for Gender Equality in Turkey

Sabancı University Board of Trustees Chair Güler Sabancı:

“Gender equality is an important indicator of the level of development in a country.”


“According to World Economic Forum's Global Gender Gap Report in 2013, Turkey ranked 120th among 136 countries.  Only 30% of women in Turkey participate in the workforce compared to 76% of men.  This shows how great the gender gap in Turkey is.”

Established by Sabancı University, the 9th “Sakıp Sabancı International Research Awards” were presented at a ceremony hosted by Board of Trustees Chair Güler Sabancı and President A. Nihat Berker at the Sabancı University Sakıp Sabancı Museum the Seed.  

After the introductory remarks of Sabancı University Board of Trustees Chair Güler Sabancı, Jury Panel Chair Professor Sibel Irzık from the Sabancı University Gender and Women’s Studies Forum explained the reasoning for the Jury Prize, followed by Professor Fuat Keyman, Director of the Sabancı University Istanbul Policy Center, explaining the reasoning for the Essay Awards presented to young researchers.

Given by Sabancı University in fields including Turkish and Islamic art, and the history, economy and sociology of Turkey, the Sakıp Sabancı International Research Awards were given in “Gender Equality in Turkey” this year.  The theme was chosen because despite significant efforts and progress toward reducing the gender gap in its economic, political and social life, Turkey has fallen short of realizing the goal of gender equality by most standards.
The Jury Prize was given to Professor Deniz Kandiyoti of the University of London.  Deniz Kandiyoti was chosen for the prize for her publications on internationally recognized platforms and comparative studies regarding the situation in Turkey.

The recipients of the three equally-weighted Essay Awards were:

• “Beyond Numbers: Rethinking the Education and Empowerment of Girls in Turkey” by Akanksha Misra (University of Washington), 

• “Properties of Modern Women and the Negotiation of Gender Norms within Space” by Emine Gökçen Yüksel (Universität der Bundeswehr Munich), Stephan Stetter (Universität der Bundeswehr Munich) and Jochen Walter (Universität Bielefeld) 

• “Questioning Calculations of Justice: Criminal Law, Hate Crimes and Queer Approaches” by Aslı Zengin (University of Toronto). 

Deniz Kandiyoti received her award from Sabancı University Board of Trustees Chair Güler Sabancı and President Nihat Berker.  Essay Award winners received their prizes from the late Sakıp Sabancı’s daughter and Sabancı University Board of Trustees Member Sevil Sabancı.

“In the current state of affairs, I believe it is imperative that we view gender equality outside of traditional norms, and utilize a scientific approach to the subject.”

Güler Sabancı said, “In the current state of affairs, I believe it is imperative that we view gender equality outside of traditional norms, and utilize a scientific approach to the subject.  Improvements in the legal system are being made on the one hand.  There are declarations of universal values of equality and objectives established to this purpose.  Yet, we have to make more effort in order to ensure that this issue is appreciated in our daily lives.”

“Gender equality is an important indicator of the level of development in a country”

Güler Sabancı said, “Gender equality is an important indicator of the level of development in a country.  According to World Economic Forum's Global Gender Gap Report in 2013, Turkey ranked 120th among 136 countries.  Only 30% of women in Turkey participate in the workforce compared to 76% of men,” and emphasized how great the gender gap in Turkey was as shown by these figures. 

“Gender equality is an issue that the entire society must embrace.”

Arguing that women’s education opportunities must be improved and economic positions must be strengthened to change the current outlook, Güler Sabancı said “We must ensure the active participation of women in politics and prevent violence towards women.  We need to understand each other more in gender equality studies, and work towards a common goal.  Gender equality is an issue that the entire society must embrace.  As Sabancı University, this was what we had in mind when choosing the theme for the 2014 Sakıp Sabancı Research Awards.  We wanted to encourage young researchers in particular to work for gender equality in Turkey.”

Güler Sabancı concluded her speech by thanking esteemed academics who have led the society onwards with their lifelong efforts, young academics making submissions to the awards, and the members of the international jury headed by Sabancı University faculty member Sibel Irzık. 

“The patriarchal is a crumbling structure that has difficulties in re-producing itself.”

Deniz Kandiyoti, this year’s winner of the Jury Prize, said that at one point in history, slave trade was widespread and scientific theories, religious and creationist rationale were used to legitimize this practice.  Kandiyoti remarked that people were still being traded today, although most of them were women and children, and similar scientific, religious and creationist arguments were still being used to make the issue seem legitimate.  Saying that she viewed gender issues like a puzzle that needs solving, Kandiyoti argued that under the 21st century conditions, the patriarchal is a crumbling structure that has difficulties in re-producing itself.  Deniz Kandiyoti concluded, “The patriarchal is being resurrected as an administrative science.  But the new generation rises up against subservience and obedience.  The new generation will lead us to emancipation.”

This year’s jury consisted of Sibel Irzık (Sabancı University – Gender and Women’s Studies Forum), Ayşe Kadıoğlu (Sabancı University), Fuat Keyman (Sabancı University – Istanbul Policy Center), Cemal Kafadar (Harvard University) and Isabelle de Courtivron (Massachusetts Intitute of Technology). 

About Deniz Kandiyoti

Born in Istanbul, Turkey, Kandiyoti received a Bachelor of Arts from University of Paris in 1966 and a Master of Science in Social Psychology from the London School of Economics before receiving her PhD there as well.  Kandiyoti’s academic life has been based in theoretical as well as field-based studies.  From 1969 until 1980, Kandiyoti worked at Istanbul Technical University and Boğaziçi University in Turkey, but then moved to England to teach at Richmond College in Surrey, England. Kandiyoti was a fellow at University of Manchester and the University of Sussex from 1987-1988. In 1988, she coined the term patriarchal bargain, describing a tactic in which a woman chooses to accommodate and accept gender roles that disadvantage women overall but maximize her individual power and options. From 2000-2005, Kandiyoti was part of a research effort sponsored by United Nations Research Institute For Social Development (UNRISD). She is also the editor of the journal Central Asian Survey, “the only established peer reviewed, multi-disciplinary journal in the world concerned with the history, politics, cultures, religions and economies of the Central Asian and Caucasian regions.” 

CAP Awards Given

The CAP (Company Action Projects) Awards were given as part of the School of Management’s MBA program CAP scheme.


YThe Best CAP Award and Best CAP Report Award were given to Team Pfizer and members Dilek Uygungelen, Igor Petrusca and Kadir Bilir, and the Best CAP Presentation Award was given to Team GE and members Banu Özak, Duygu Sanaç and Emir Sunay.

The CAP Competition Jury consisted of Vodafone Talent Development Director Bülent Bayram, Sabancı Holding Board of Directors Member and Strategy and Business Development Director Gökhan Eyigün, Zorlu Holding Strategy and Business Development Director Ali Yalçın and Sabancı University Professional Programs Director Yusuf Soner.

Four teams competed in the competition.  Team Coca-Cola İçecek focused on the audit of international equipment suppliers in the operations project.  Team Deloitte and the finance project dealt with researching different industries, understanding the finance dynamics of companies, and the potential increase of Turkey’s GDP.  Team GE worked on more effective and efficient B2B company launches in its marketing project.  Finally, Team Pfizer and their marketing project focused on management before, during and after promotion, and communicating more effective messages that touch the consumer.

Jack Halberstam presented the “Gaga Manifesto”

Sabancı University Gender and Women’s Studies Forum, in association with the Faculty of Arts and Social Sciences and Gender Club, hosted a lecture by Jack Halberstam, a leader in queer theory.  Jack Halberstam spoke on his book Gaga Feminism: Sex, Gender, and the End of Normal on Wednesday, May 21, 2014 at the Karaköy Minerva Palas.

Jack Halberstam discussed the following: While capitalism changes route and focus to reconsolidate exploitation and prevalence, feminism and other forms of critical thought transform, evolve and change paths as well.  During this process, the critical responses developed against capitalism throughout the 20th century (anti-exploitation, anarchism, socialism, the multitude movement, ‘undercommon’s, punk, critical racial theory, critical ethnical studies et al.) transform themselves from identity claims based on the history of oppression and exploitation to new concepts of solidarity, commonality and political purpose. Halberstam also spoke on the transformation of feminism through interaction with new models of activism.


After discussing the necessity of feminism and the queer theory, Jack Halberstam presented his own manifesto.  Arguing that the pharmaceutical industry and global capitalism reposition the body-pleasure relationship, Halberstam said that pharmaceuticals and medical procedures evolve the human body towards an alternative reality.  Halberstam called for the need to create a new language instead of dividing into small identities and subgroups, saying “As people who desire change and transformation, we must change the discourse that ‘capitalism has already been there.’  Capitalism itself is chaos; poverty itself is chaos; anarchism is solidarity.  Capitalism will find new ways to nurture the wealthy,” and explained why he focused on capitalism with the argument that capitalism is a phenomenon leading to confusion and pessimism.

Jack Halberstam said “Think wild; do not constrain yourself to any one discipline, and look as if you are seeing the world for the first time.  We must reimagine politics.”  Explaining that anarchists become involved in politics not to reach an objective but to be together, Halberstam called for a new politics that is based not on identity politics, but on a new imagining of solidarity.

Jack Halberstam explained that he uses Lady Gaga as the symbol of a new kind of sensibility, and said that the argument in Gaga Feminism is the need for a new gender regime.  Discussing the shift in gender regime, Jack Halberstam said new technologies may relieve women from the responsibility of giving birth.

Halberstam said that his purpose in including the wild in the queer theory is to consolidate theories that are in disarray, and argued that queer activism was in one way or another influenced by the protests of the past, bringing the two together.

Jack Halberstam made comments on the works of artists of various disciplines, saying “Participatory art includes not just the artists, but everyone who happens to chance upon the work.  A new meaning arises when the message is not fully delivered.”

Halberstam was in Ankara on Sunday, May 18 as an invited guest of Kaos GL for the “Anti-Homophobic and Transphobic Summit.”

About Jack Halberstam 

Jack Halberstam is Professor of English and Director of The Center for Feminist Research at University of Southern California (USC). Halberstam's writing focuses on the topic of tomboys and female masculinity and has published a book titled after the concept of female masculinity. His works include Skin Shows: Gothic Horror and the Technology of Monsters, Duke UP 1995; Female Masculinity, Duke UP 1998; In A Queer Time and Place, NYU Press 2005; and Gaga Feminism: Sex, Gender, and the End of Normal, Beacon Press 2012.

Murat Germen publishes his monograph

Sabancı University faculty member and photography artist Murat Germen published his monograph.  Murathan Mungan contributed a review piece to Murat Germen’s book.


Written through Germen’s artistic perspective, the book discusses some of the most caustic issues in the last decade of Turkey, including “damaging” gentrification, industrial growth led by economic development, social engineering, connections between art and capital, road constructions that don’t help public transport and lead to further traffic issues, and the Gezi Resistance as the most significant social movement in Turkish history.  Murathan Mungan contributed a review to Murat Germen’s book. 

Murathan Mungan: “Regardless of their field and creative discipline, I have always been most intrigued by artists that have an ‘issue’.  I believe that only those with an issue can have an adventure.  Considering the works of Murat Germen,  a combination of mastery and artistry, you can see that he is a photographer with an issue above all.”

“…Murat Germen’s eye has a ‘cinemascope’ sensibility.  As far as I can see and understand, Germen photographs every object, every situation, every appearance with a scrutiny that is in close observation of the worldwide network of global photography.  His works apparently require significant preparation and an intense, meticulous labor.

I must also add that looking at Murat Germen’s photographs gives one pleasure.”

Regarded one of the most important Turkish representatives of contemporary photographic art, Sabancı University Faculty of Arts and Social Sciences member Murat Germen published a monographic volume of his work.  The body of the book is composed of unique interpretations by Germen in different experimentations, and has eight chapters on the “New Turkey” from the 2000s to the present day. 

The book also includes opinion pieces by Murathan Mungan and Necmi Sönmez, an interview with the artist by Photographische Sammlung Köln’s curator Barbara Hoffmann Johnson, and notes by Germen. 

It is not a coincidence that Murat Germen’s objective is always focused on the “present time” of Turkey.  Regardless of the subject and how different the perspective and technique are, the artist has an initially obscure, documentary approach due to his unpredictable view of the cultural, economic and social landscape shaped by the New Turkey.  Documentary isn’t necessarily confined to a well-worn, highly-orthodox method of documenting with prescriptive limitations and perceptions, but stands at an angle that knows how to view issues from a perspective of causality.  The meticulously chosen subjects of Germen are the products of a personalized perspective.

The argument in Murat Germen’s book is the unique interpretation that the artist achieves when making the dynamics of social change manifest, based on metaphors and with a clarity that makes literature redundant.  The interpretation is humanist above all, and brings out the various layers of Turkey without criticism, inquisition or comparison; therefore taking the labor, sacrifice and creation of the human being to the forefront rather than its portrait.  The appearance of the urban sphere, areas of production, and nature as shaped by mankind as a leitmotif in Murat Germen’s photography can be considered the internalization of the New Turkey.  Oftentimes, Germen takes this beyond the possibilities of photographic technique and interprets this at a level of contemporary art production.  Having formed his personal perspective through a difficult and interdisciplinary process, Murat Germen has a particularly striking artistic disposition.  Written through Germen’s artistic perspective, the book discusses some of the most caustic issues in the last decade of Turkey, including “damaging” gentrification, industrial growth led by economic development, social engineering, connections between art and capital, road constructions that don’t help public transport and lead to further traffic issues, and the Gezi Resistance as the most significant social movement in Turkish history.

Middle Classes: The New Marketing Favorites

Founded by Sabancı University and the Advertising Foundation, the Brand Practices Platform continues to have discussions on the important aspects of marketing.

On Monday, May 5, 2014, the “Middle Classes: The New Marketing Favorites” lecture was held at the Sabancı University Sakıp Sabancı Museum.

The lecture was given by Istanbul Şehir University Business School Associate Professor Özlem Sandıkcı.  Sandıkcı began by emphasizing the importance of understanding the middle class for growth and sustainable economy.  Sandıkcı said that apart from figures, there was little information regarding the middle class, and the neo-liberal transformation created a new class.  Sandıkcı said that the three main socio-ideological sensitivities defining this class were project individuals, average individualism and suspect cosmopolitan, and that these sensitivities shaped consumption habits.  Özlem Sandıkcı argued that socio-ideological sensitivities gave rise to a new mode of consumption that may be called formulated creativity.

The panel discussion following the lecture was moderated by Sabancı University Executive Development Unit Director Dr. Cüneyt Evirgen.  Speakers were Oya Canbaş from Procter & Gamble; Vural Çakır from IPSOS; and Tülay İdil from Boyner Holding. Participants spoke about the initiatives of their respective companies for the middle class.  Panelist Vural Çakır underscored the middle class lack of confidence, while Cüneyt Evirgen mentioned the difficulty of becoming a global brand without becoming a brand in one’s own industry.

“I want to be a DJ when I grow up”

Wednesday Talks with Nesrin Balkan

Ayşe Kadıoğlu: Music is where I go beyond myself a little.  You know how reason contradicts love; reason is all about weighing and measuring…  It is more coolheaded, whereas love is all about losing yourself, it is free of bounds.  Music is love for me. 

I love listening to rock by women.  Heart is a great band, for instance.  I go back to it every now and then.  I like Joan Jett, Janis Joplin, and from the distant past, Suzi Quatro.  I love Paula Cole’s music too.


Thinking about motherhood and music, I realized something: when you are young, you want people to love you; you feel as if that’s the most important thing.  But then I realized –maybe I as maturity kicked in– that being loved is great and all, but what really matters is to love. 

You are a mother, a professor and a political scientist.  How does being a DJ factor in?

That’s what I want to be when I grow up.  I want to be a DJ. 

 And I wanted to be a singer.

I played a few times and it was as if I awoke a monster from its slumber.  I played on Açık Radyo.  It was great fun, I loved it.  In fact, I started dreaming about doing a radio program.  I prepared extensively beforehand of course; I said a few thing between tracks.  I started off with rock by women, then it was jazz, blues, chansons, all sung by women.  There’s a Nancy Sinatra song that goes “These boots are made for walking, that’s just what they’ll do, one of these days these boots are gonna walk all over you.”  That will be my signal music.  In fact, there is a part in the song that says, “Are you ready boots? Start walking” – maybe that’s how it should start.  The show could be called Women’s Boots.  I’d really like to do a show like that when I have the time.  The short lectures between tracks had a feminist discourse to them; in fact I did a show on March 8th.  I had started that show by saying “March 8th isn’t an oh so sweet day that you give flowers to women and celebrate together, don’t confuse it with Valentine’s Day.  March 8th is a political day.”  The slogan was “private is political.”  I have a large number of CDs that keep growing as I buy more.  I had some of them transferred to my computer.  I have lots of music from the past, that is, my youth.  Recently I’m obsessed with Nina Simone and I keep listening to her over and over again, enjoying every time.

I read about Nina Simone’s life, and that was an interesting occasion.  I recently took up the habit of reading in bookstores.  I read Nina Simone’s life in a bookstore too. 

It makes sense to skim over a book in a bookstore but reading it through as if you were in a library was strange indeed.

That was during my sabbatical in Oxford.  You get a little lonely, that’s how sabbaticals are.  You have people that you work with during the week, but on the weekend I didn’t have my son or Erdağ with me, so I visited bookstores in Oxford.  I saw a book about Nina Simone’s life at the music bookstore in Oxford, and I started to read it.  Over several weekends I met that book at the bookstore like it was my friend, settled in a couch to read it, and slipped out for a cup of coffee every now and then, coming back to it later.  The people working there realized that I was coming there every weekend to read the book.  It’s not that I didn’t want to buy it; reading it there appealed to me more. 

It’s a different experience.

I was interested in Nina Simone.  She marries a detective; it is passionate love at first, but then he starts physical abuse.  How should I put it?  She’s a woman with weaknesses.  The book illustrated perfectly how human it is to have weaknesses.

I love Nina Simone’s music.  I love Tina Turner too, who was similarly abused. 

Yes, she is a fighter too.

She is an astonishing woman.  I listen to the music of these women, knowing about their lives.  I love listening to rock by women.  Heart is a great band, for instance.  I go back to it every now and then.  I like Joan Jett, Janis Joplin, and from the distant past, Suzi Quatro.  I love Paula Cole’s music too; her lyrics are poetic and instruments are excellent too.  I get spirited away when I listen to blues guitar; I don’t hear anything else in the song.  I sometimes pick out individual instruments when I listen to music.

It seems like music is quite a large part of your life.

Music is where I go beyond myself a little.  You know how reason contradicts love; reason is all about weighing and measuring… 

Being detached…

It is more coolheaded, whereas love is all about losing yourself, it is free of bounds.  Music is love for me.  I have been thinking on the similarity of music to love.  I can’t listen to music while I work, for instance; listening to music needs to be separate ad dedicated.  I can’t work or do something else while listening to music. 

Music should be the main thing, not something on the side.

Yes.  Having music play in the background as I read or write isn’t for me.  I can read in cafes or loud places, but I need silence if I am to write.  If a piece of music I love is playing in the background, there is no way for me to read, I get carried away to the music.  I can pick that music up even in a great racket.  I could probably work if elevator music was playing, but I’d rather it didn’t.  Some people work with music – I don’t have that.  I listen to music before or after doing my work as a distinct experience.  It’s not something I can do while I’m busy with something else.

 I can’t do that either.

That doesn’t mean I don’t like music.  I like it so much that I can’t let other things get in the way. 

It is something you like and enjoy, so you don’t want to see it as an ancillary.  What else would you like to say about motherhood?

Motherhood turned out to be very important to me.  It was to my mother, and I guess you learn this job from your mother.  I ended up being like my own mom.

I had tremendous fun when raising my son.  He was a great kid too – he wasn’t difficult, just as difficult as the next kid.  He made me very happy.  He was always a good student.  He smiles all the time, and is very considerate.  Erdağ and I look at him and we are proud that our son became a great person.  He is very successful too, but more importantly, he is a good human being. 

That should be more important.  Success should come second to being a good person.

Thinking about motherhood and music, I realized something: when you are young, you want people to love you; you feel as if that’s the most important thing.  But then I realized –maybe I as maturity kicked in– that being loved is great and all, but what really matters is to love.  I saw a film that illustrated this perfectly.  It’s called Marvin’s Room.  Meryl Streep and Diane Keaton play two sisters.  They have a father who is very ill.  Diane Keaton plays the good child of the family, it is her who cares for their father. 

Diane Keaton is ill too, I think.

Could be.  And Meryl Streep has a son.  Did you remember?  Meryl Streep plays the rebellious child who was never on good terms with the family.  There is a scene where the two sisters are talking, and Meryl Streep tells the other, “You were very lucky because mom, dad, the whole family loved you.  You were always the brilliant daughter.”  Diane Keaton, the good sister, thinks for a moment and replies, “Yes, I was lucky, not because they loved me though, because I loved them.”  Don’t you think that’s quite important?

It is; everyone wants to be loved, but being able to love is essential.

I think that is the source of all positivity.  Does this make sense?

It does.  It has the power to change your whole outlook on life, how you perceive the world.  Such small things can open up a vast landscape.  It could be a couple of words, or a scene from a film.

I had mentioned this film in an essay I wrote after Hrant was murdered.  Hrant’s greatest difference was that he knew how to love.  He was always loaded with positivity.  He had an enormous heart.

You are right, Hrant Dink was full of love and joy. 

I remember the final scene of the film.  Diane Keaton lies beside her father in the bed, and she uses a mirror to project pretty shapes and colors onto the wall.

You remember correctly; it must have moved you too.

Of course it did.

Marvin’s Room.  That’s the impression of the film on me.

Any final words?  How are things for you overall?

I’m good, I’m happy with my life.  I have old friends who are my references; I derive my strength from them.  I’m working with a great team in the faculty, and I’m very happy with that too.  I also like the fact that I’m friends with most of the faculty members here, we have been working together for a very long time.  We rely on each other.

My son Deniz Cihat, Erdağ, my family, close friends…  These are all profound relationships.  I have less and less time because of work, so I need to choose how I spend my time carefully.  I try to live in a more selective way.

You opt for a more refined life without worrying too much about details.

Thank you for this great conversation.

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