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Ayşe Kadıoğlu: An elegant woman with a pretty smile

Wednesday talks with Nesrin Balkan 

Ayşe Kadıoğlu: I love lecturing; it gives me energy.  I have been attending lectures with the same enthusiasm since 1984.  I have been practically living in universities for so many years, but I still feel the excitement of the first day of classes, when all the students arrive.  I still believe universities belong to their students. 

This week’s guest Ayşe Kadıoğlu has been a member of Sabancı University faculty since 1998, and the Dean of the Faculty of Arts and Social Sciences since September 2013.  I also think she is one of the people most associated with Sabancı University, to the extent that her face is among those that I visualize when I think of Sabancı University. 

Her hands –gentle, elegant and feminine hands– were among those that laid the foundational bricks of our university 15 years ago.  I asked about Ayşe to her colleagues, looked up on what her students had written about her.  They all say the same things.  According to her close colleagues, she is subdued, persuasive, a good listener and an easy person to work with.  In this week’s part, I spoke with Ayşe Kadıoğlu on her years as a student, her professors, her students and lecturing today, and motherhood.  Next week’s part will be on an entirely different subject.

Your students love you.  I have read only positive comments about you.  Let’s start from there.

Fine, let’s start with student relationships.  I gave my first lecture in 1984 as a teaching assistant to a University of Boston course similar to our SPS 101-102, which had about 400 students.  I still remember how I had gone beyond myself and prepared for half a day for my first discussion course, which was only an hour long.  Giving lectures has always been important to me; it’s never been something I do on the side while I do research.  I love lecturing; it gives me energy.  I have been attending lectures with the same enthusiasm since 1984.  I have been practically living in universities for so many years, but I still feel the excitement of the first day of classes, when all the students arrive.  I still believe universities belong to their students.

So you have been a lecturer for 30 years.  You certainly don’t look like it.

Yes, I have been a lecturer for 30 years but I still go over what I will do before every class, even if for a few minutes.  Of course I know the topic I will cover in class, but I always consult my notes before I go into the lecture hall.  Having said that, most of the stuff is available online now, so I don’t carry around a bulk of notes when I attend a lecture.  I take it upon myself to explain a difficult subject in a simple way.  I always pay attention to that when giving a lecture.  I will not succumb to the complexity and difficulty of a subject and teach it in the same complex and difficult manner; I will find a way to teach it more straightforwardly. 

You like a crowded lecture.

Yes, I enjoy the dynamics there.  I can’t get bored when I’m giving a lecture, or the lecture would be of no use to the student.  I must feel passionate about the subject I teach.  So I try to shape the lecture in a way that will keep me alert.  I look into the eyes of my students, we share a laugh during the class, there have even been times I cracked up in laughter.

Yes, one of your students wrote about this in Ekşi Sözlük.

 

There are times we laugh so much that our eyes water.  That is the dynamics of a lecture.  I am so keen to give lectures that, during my PhD, I joined a program where we would give lectures to the inmates of a local penitentiary.  One of my fellow PhD students was giving lectures there, and I had joined as a visiting professor.  It was an interesting experience, they had even taken my hairclip from me as I entered.  That is when the gravity of the situation struck me.  About 400 male inmates were pacing in the courtyard.  I was worried if I was doing the right thing.  My friend noticed how nervous I was, and told me not to worry because even if someone was to give me verbal abuse, ten others would stop him from doing that, that the program was precious to them and they would make sure the program doesn’t get cancelled because of some petty trouble.  I really had no issues.  Everyone had done the required reading.  I’d never seen a class like that in my life.  The course was on political economy and I taught Karl Marx.  The early period of Marx was one of my minor specialties in my PhD in Political Thought.  So I taught Marx in a prison. 

A prison in America, above all.

Yes, I taught Marx in an American prison. 

Another student on Ekşi Sözlük says “the professor whose lectures I go to most regularly because she doesn’t take attendance” about you.

Yes, I tell my students beforehand that they best come to class because I teach hard subjects in an easy way.  “It will be difficult if you just try to read the book and borrow notes from another student; I will make your life easier” is what I say. 

Is this your first time as a dean?

Yes, first time. 

What do you think about it?

Like everything, I wouldn’t be able to do it if I weren’t passionate about it.  I took this position not to manage an established structure in monotony, but with the hope that something new can be done.  These can be new programs or improvements in existing ones.  I promised myself that I would not torment myself for not having read or written a single paper for the first semester, and that I would try to understand this job as a whole.  I allowed myself to take a semester off from my academic endeavors.  I came to the office every day and tried to understand how things worked.  I also made an oath not to complain for at least one year. 

No complaining for a year should give you peace of mind.

I try to understand things before complaining about them.  I try to have a positive attitude.  There will be negative days, of course.  But I will not surrender to negativity. 

I have known you for 15 years, and have always seen you calm, smiling and positive – with one exception: years ago, during an international event, you were extremely tense and nervous.  I think something had gone wrong.  You were muttering to yourself, but in English.  I remember you even spoke to me in English.

It’s entirely possible I did.  I run through rough patches like everyone else.  These last two months, I lost two of my friends.  Losing a loved one is devastating.  Both had been ill for a long time, but it is shattering nevertheless.  About the smiling face, I think I inherited my positivity from my mother.  She is 84 years old now, and she still cheers me up when we talk on the phone.  When I feel a bit down, I go to Ankara to visit my parents.  It should be me who helps their energy along now, but my mom and dad still give me a boost.  My mom learned how to go online at 84 just to keep in touch with me, my brother and her grandchildren.  We talk on Skype now.

Your mother is quite admirable and a great example.

She is an amazing woman, yes.  She is a medical doctor.  I think I owe my positive energy to her. 

So you have been in Sabancı since 1998, for 16 years.

Yes, I have been here since the beginning.  Sabancı University grew up right before my eyes, so I feel great attachment.  After returning from the United States, I worked at Bilkent University for seven years.  My alma mater is Middle East Technical, on the other hand.  I graduated from METU in 1982.  I was a student there between 1978 and 1982, punctuated by the military coup in 1980. 

It must have been a great divide.

The university was rife with political tension those days.  We would be frisked every morning as we arrived on campus.  I was in the Political Studies department and that alone was a problem.  The military police would get spooked because my student ID had something “political” on it; I would have to explain every time that it was the department I studied in.  I think this plagued political science students in all universities because politics itself was a suspect back then. 

The word “political” was a taboo.

Politics as a concept was highly suspicious.  Some of our textbooks proved to be troublesome as well; we left them at home so that we wouldn’t have to carry them around.  They would make us put our hands on cars and search us from top to bottom.  We couldn’t hear the voice of the professor over the racket of the armored vehicles in the campus.  It was a crazy period.  Afterwards, I went to the University of Chicago for my graduate degree. 

Suddenly it was a different world.

And it wasn’t any American university.  Chicago’s liberal environment was unlike other schools back in the day, and there was even a Chicago school in Economics because of that.  There, I was introduced to an academic literature that was vastly different.  I learned a lot during my two years in graduate education.  I had distinguished professors.  The two years in Chicago were very important in my life.  After a short break, I moved to Boston and started my PhD at the University of Boston.  Then, I returned home to Bilkent.  I lived in Boston for seven years, in Chicago for two years before that.  So I spent the 80s in America. 

Chicago and Boston played a large part in your career, obviously.

I had two advisors in Boston; one of them was in Middle Eastern Studies and the other in European Studies.  I went back and forth between the two.  I studied migration in Europe for my PhD.  My primary advisor was the Middle Eastern Studies professor.  She taught me how to merge politics and academics.  She had a profound sense of justice, had always been politically involved, and was a prolific scholar who made great contributions to literature.  There is an opinion that a good academic will stay out of politics.  She showed me that this was not true.  So I have been writing in newspapers during my academic career.  I have been writing since 2000, and there was a time when I was writing weekly. 

Yes, you were a regular contributor.

I was writing in the Radikal 2 supplement.  In 2006, I published a collection of my articles printed there.  I have learned about civic involvement and keeping in touch with the community from my advisor Irene Gendzier.  Of course, Edward Said was the most important person to merge politics with academics.  Said had a great influence on my vision.  My other advisor, the European Studies scholar Andrei Markovits, taught me how to teach.  When I was his assistant, I attended every lecture with him and graded his exams.  I was greatly influenced by his style at an early age as I watched him and listened to him.  He was an astonishing professor and a great teacher.  He would have the attention of every student in the huge lecture hall.  I think he also taught me professionalism.  My two advisors in Boston taught me a lot.  I also had legendary professors like Howard Zinn.  I wrote an obituary about Howard Zinn when he died four years ago. 

You had many distinguished professors who influenced your career and your life in a profound way.

Indeed; Howard Zinn was another great influence.  I was his assistant as well.  He had once invited the surviving members of the Abraham Lincoln Brigade, who had fought in the Spanish Civil War.  That was the craziest lecture I had ever seen.  These people had left America and traveled to Spain to join the civil war in 1937.  Hemingway had joined the war as well.  Howard Zinn was politically very active.  He would give political lectures in addition to his courses.  He is the author of A People's History of the United States, which discusses civil movements throughout US history.  The conventional approach to US history dwells on institutions, such as how the parliament and congress was established, how the presidential system evolved.  Zinn, on the other hand, wrote the history of social struggle in America.

That is a great perspective.

It is now a high school textbook in America.  It is a very important book and he had signed me a copy, which is very precious to me.  I hadn’t realized the significance of the book when he first gave it to me.  He had simply said, “Perhaps you’ll read it one day.”  I had thanked him out of courtesy, but I wasn’t aware that I was holding a treasure in my hands – one that was autographed by him, nothing less.  Anyway, that’s my Boston story. 

How about your academic work?

I am passionate about women’s studies.  Speaking about my advisors; they were my professors and my mentors, but you also have your heroes in life.  I have always been inclined towards studies focused on heroines.  In Turkey, İpek Çalışlar has been doing this for years.  She wrote the book on novelist Halide Edip Adıvar and on Atatürk’s wife, Latife Uşakizade.  Yaprak Zihnioğlu has a great book on women’s rights activist Nezihe Muhiddin, which I use in my course.  I have always tried to keep heroines on the front line and include them in my lectures.  As for my heroines, there is Lilith.  According to some, Lilith predates Eve. 

I hadn’t heard of Lilith.

She is a woman who disregards advice and does as she pleases.  Eve is a spouse; she is Adam’s wife.  But Lilith is an independent woman. 

Which faith does Lilith belong to?

Lilith is mentioned in the Jewish apocryphal text called Alphabet of Sirach.  In Ancient Greece, there is Hipparchia, who is a Cynic philosopher.  She is an important figure as well.  In the modern age, I find Mary Wollstonecraft very important.  Mary Wollstonecraft published A Vindication of the Rights of Woman in 1792.  She had an affair with William Godwin, who was known as a liberal anarchist at the time, and they had a daughter.  She had had another daughter before Godwin.  She was condemned by the society because she conceived out of wedlock.  Her daughter from Godwin was Mary Shelley, the author of Frankenstein

Yes, she wrote Frankenstein.

Mary Wollstonecraft died shortly after Mary Shelley was born.  Wollstonecraft was far ahead of the period she lived in, because of which she was at great discord with the times and suffered mental issues.  The same goes for Nezihe Muhiddin.  She was far ahead of her time and she voiced issues and values that were rejected by the society of the time.  Yaprak Zihnioğlu’s book on Nezihe Muhiddin has a very sad ending; Nezihe Muhiddin dies in the La Paix mental hospital in Istanbul. 

Wollstonecraft’s daughter Mary Shelley went on to write Frankenstein.  In one article, I had argued that since Mary Shelley’s mother dies during birth, Frankenstein is her ruminations on motherhood.  I think Frankenstein is about being a mother.  For some, being a mother is giving birth; people talk about how they carried their child for nine months.  I think it has nothing to do with that.  As a biological mother who has given birth, I can say that motherhood actually begins after birth.  That is how I had interpreted Frankenstein.  Dr. Frankenstein gives his creation life, but he doesn’t train him, doesn’t teach him anything, and his creation turns into a monster.  It’s not enough just to give birth; you must put effort into your child, you must raise him.

An important point.

Parenthood begins after birth; it has to do with what you do for your child.  That is how I see it.  I am crazy about my son.  If you asked me what I was, my first response would be “mother.”

Then a professor, and then a political scientist.

I think those two go in tandem.

To be continued…

The contemporary art work honouring Sakıp Sabancı is now at the SSM

The work of art commissioned in 2011 by the Sabancı family to Kutluğ Ataman for the 10th anniversary of Sakıp Sabancı’s parting from us has opened to public viewing at the Sakıp Sabancı Museum on April 29.

The work aims to reflect the personality of the much missed leader, with his innovativeness, his sharing and embracing nature, his overriding principle of always giving first priority to people and his love and respect for them. Throughout his life, Sakıp Sabancı who merged with people with his sharp intelligence, his sense of humour and warm manner had many windows opening to life and people. Kutluğ Ataman’s work makes visible all the windows opened by Sakıp Sabancı. 

Kutluğ Ataman, whose films and video art works have a worldwide audience, created the idea of this work which constitutes a moment of silence in honour of Sakıp Sabancı, emphasizing the industrialist’s contribution to the development of technology in Turkey. The basic element of this work, which utilizes the most advanced technology in visual arts, consists of the people. The work consisting of the passport sized photographs of thousands of people from all walks of life whose paths crossed the famous businessman’s in some way, who supported or were supported by him, shape his portrait, reflecting his sympathetic, tolerant and colourful personality, while implementing an extraordinary artistic idea, ‘beyond time’ as is worthy of Sakıp Sabancı. 

The technical infrastructure of this work, which is one of the largest video art examples worldwide was completed by Larves Artware Solutions in three years. The Project consists of a driver card, a communication card and a control/administration software. The work comprises approximately 10,000 LCD panels, aligned in 144 modules, each consisting of sets of 64, stacked horizontally and vertically. 


The LCD driver card communicates with an advanced level computer, thus transferring the photograph data. The external industrial computer is connected to the communication cards of the subsystems via fiber cables. The communication card  transfers data consisting of thousands of photographs to the driver cards to be viewed on the screens in random order and at random intervals. 

After the Sakıp Sabancı Museum, the work will be exhibited at the Sakıp Sabancı Mardin City Museum and Dilek Sabancı Art Gallery, each time being redesigned in accordance with each building’s architecture. Following Mardin, the piece is planned to be presented internationally at the leading museums worldwide.

What they said…

Güler Sabancı

Chairperson of the Board of Directors of Sabancı Holding 

“Sakıp Sabancı cared for people and he touched people. He really physically touched them while talking to them.  He did not discriminate in any way whatsoever. He had a pluralistic, extraordinary attitude. His positive energy was contagious. He looked straight into the eyes of the person he was talking to. He made everyone feel special. He loved people very much and he embraced them. 

Three years ago, we formed a committee to lead the preparations for the 10th anniversaries of the foundation of the Sakıp Sabancı Museum and the 10th anniversary of Sakıp Sabancı’s parting from us. The Board of the Committee was chaired by Ms Sevil Sabancı. Ideas were discussed as to what to do, and we thought of making a film. Then we came up with the name of Kutluğ Ataman. We briefed him about the concept of the project and the core of the thoughts we have in mind; as a family we decided that an art work which reflects Sakıp Sabancı’s energy, the way he touched people, the way he embraces people will also reflect Sakıp Sabancı himself. And now, here we are, commemorating Sakıp Sabancı on the 10th anniversary of his parting from us, with a work of art worthy of him. I thank the Sabancı family, Türkan Sabancı, Sevil Sabancı and Dilek Sabancı for their support. I thank Nazan Ölçer and her team. I thank Kutluğ Ataman for creating this work of art which reflects Sakıp Sabancı’s energy and which will allow this energy to be shared over many years.” 

Dr. Nazan Ölçer

Director of SSM 

“This work of art is a commemoration by the Sabancı family. While contemplating how to commemorate the 10th anniversary of Sakıp Sabancı’s partisng from us, we consulted our Board and our International Board of Overseers including curators and directors of museums from all over the world. Traditional ways of commemoration may be building a school or a dormitory and naming it after the person; but the Sabancı Foundation has been doing this for years. We never considered commissioning a statue, neither did the Sabancı Family. The work should reflect the energy and emphasize the modern and forward-looking perspective of Sakıp Sabancı. In 2010, it was decided that the work of art should be created by Kutluğ Ataman. 

Don’t ask me ‘why Kutluğ Ataman?’, who else could it be? We all know how well Kutluğ Ataman is known globally. He represents contemporary Turkish art with great success, has won many prestigious awards, and his works are in various collections abroad. When I first saw the work of art he created, my feeling was one of happiness. Kutluğ Ataman’s name was decided upon by the end of October 2010. The contract was drawn in 2011. That is when the preparations of art work started. The family’s wish was the creation of a work whose focus consisted of ‘people’. Kutluğ Ataman was given thousands of photographs. There is also another work by Kutluğ Ataman at our Arts of Book and Calligraphy Collection, the Mesopotamia Dramatourgies No 5, SU.” 

Kutluğ Ataman

Artist

“When I was first approached for the project, my first thought was that I had never met Sakıp Sabancı. And I was not a portraitist. I thought this would be difficult, because I have a hard time with such commissioned works. Something much more than making a documentary on Sakıp Sabancı was required. For me, Sakıp Sabancı is a leader; his leadership lies in the fact that he was a successful and famous businessman, and that he changed the lives of people and the progression of Turkey. This was not something he could have done alone. No leader becomes a leader just by himself/herself. He/she must be able to organize people, to convince people, to bring them together and to make them accept his/her vision. People must feel the person they accept as their leader within themselves. Not everyone has that capability. That is why I wanted to point to the people who formed the leader. 

I suggested to ask people who have somehow touched Sakıp Sabancı to give their passport size photographs if they wish. We needed more than 30,000 participants. This was something not done before. I had not done anything like this, and neither had anyone else. We created something from scratch, designing, testing, and preparing the software. It took a long time. Initially, each mosaic piece of the work was 50 cm thick, we reduced that gradually. Then we mounted it and had Larves, a Turkish firm at the Sakarya University Technocity did the production. The work consisting of almost 10,000 screens became a modern mosaic. His colleagues, his people, are coming together to thank Sakıp Sabancı. The work is liquid actually, you can not hold it in your hand. It is an idea, it is not static like a statue, it is dynamic... It is an energy... I think the most beautiful aspect of the work is that, we can disintegrate all its components and reintegrate them in the form of another work. We can reconstruct the work at another venue and in another form, without disrupting its essence.” 

Fuat Keyman Spoke at German Foreign Ministry Panel

Fuat Keyman, Director of Istanbul Policy Center and Professor of International Relations at Sabancı University, spoke at a high level German Foreign Ministry panel on Improving German Foreign Policy in Berlin on May 20, 2014. 


Professor Keyman was joined by the German Foreign Minister Frank-Walter Steinmeier, the president of an influential Washington think tank, as well as representatives and experts on Europe and Ukraine. Prof. Keyman shared his insight on the actions Germany should take to respond to an increasingly uncertain global order.

Psychosocial Support after Soma Mining Disaster

Ersin Bayramkaya, one of the Clinical Psychologists from CIAD, has joined the team of five specialists from Turkish Psychologists Association Trauma Unit who have volunteered to provide psychosocial support for the miners, families and students who have been effected by the sorrowful incidence in Soma, Kırkağaç and Savaştepe.


Sabancı Üniversity Offtown Festival'14 Postponement

Sabancı Univesity Offtown Festival'14 which was planned to happen on 23rd and 24th May, 2014 is postponed to a later date. We are saddened to receive the news of the coal mine blast in Soma on 13th May which has claimed so many lives. Our thoughts are with the families and friends of the victims and with many miners still trapped inside.

Soma/Condolences

We are deeply saddened by the loss of lives and the present entrapment of many of our miners due to the accident in the coal mines in Soma.

We send our heartfelt condolences to all the relatives who have incurred a loss.

We are anxiously waiting for news of the rescue of our entrapped miners and for the recovery of the wounded.

Nihat Berker
Rector

 

Graduate School of Social Sciences Graduate Programs Fall applications

Graduate School of Social Sciences Graduate Programs Fall applications 
By Faculty of Arts and Social Sciences  |  20 February 2014

SABANCI UNIVERSITY 

GRADUATE SCHOOL OF SOCIAL  SCIENCES

GRADUATE PROGRAMS

2014 – 2015 FALL APPLICATIONS

The following programs leading to  MA and PhD degrees are accepting applications for  2014-2015 academic year Fall semester. Contact names for each program have been provided for academic inquiries only. For administrative or procedure related questions, please contact Student Resources Office.

 

Conflict Analysis and Resolution (MA) www

Contact: Emre Hatipoğlu, (216) 483 92 60, ehatipoglu@sabanciuniv.edu

 

Cultural Studies (MA) www

Contact: Ateş Altınordu, (216) 483 92 83, atesaltinordu@sabanciuniv.edu

 

Economics (MA/PhD) www 

Contact: Mehmet Barlo, (216) 483 92 84, barlo@sabanciuniv.edu

 

European Studies (MAwww

Contact(s): Meltem Müftüler Baç, (216) 483 92 47,  muftuler@sabanciuniv.edu

 

History (MA/PhD) www

Contact: Hülya Canbakal, (216) 483 92 40, hcanbakal@sabanciuniv.edu

 

International Relations (MA) www

Contact: Bülent Aras, (216) 483 92 51, bulent@sabanciuniv.edu

 

Political Science (MA/PhD) www 

Contact:  Ersin Kalaycıoğlu, (216) 483 93 45, kalaycie@sabanciuniv.edu

 

Turkish Studies (MA) www

Contact: Halil Berktay, (216) 483 92 37, hberktay@sabanciuniv.edu

 

Visual Arts and Visual Communication Design  (MA) www

Contact: Selçuk Artut , (216) 483 93 19, sartut@sabanciuniv.edu

 

Applicants must have completed their previous degree programs by September 1, 2014, at latest.

 

Admission Requirements

Admission Requirements for Graduate School of Social Sciences

 

Financial Support

A limited number of scholarships based on academic achievement are available in the form of partial or full tuition waivers and/or stipends.

 Click for SU Graduate Scholarships.

Click for Graduate Funding, Other Opportunities and Awards

 

Please note that those candidates who fail to submit a sufficient English proficiency exam score and thus attend the course of English Language Preparation will receive no scholarship until they successfully complete the course.

 

Deadline

 

April 18, 2014 is the deadline for applications to Cultural StudiesHistory and Turkish Studies programs.

May 2, 2014 is the deadline for applications to Conflict Analysis and Resolution, Economics, European Studies, International Relations, Political Science and Visual Arts and Visual Communication Design programs.

For History, Political Science, Visual Arts and Visual Communication Design programs, all applicants should attend and take the written exam, afterwards eligible candidates are invited for an interview via e-mail. For other programs, after an initial screening, eligible candidates are invited for an interview via e-mail.

Please note that applications from abroad will not be required to take the written exam; they will be interviewed via phone or net meeting (Skype, etc.) if they’re found eligible after the initial screening.

 

The Graduate Admissions Calendar

 

Economics (MA/PhD)

Interview** : May 15 - 16, 2014 - 9:30 - FASS 2056

 

European Studies (MA)

Interview** : May 20 – 21, 2014 - 09:00 - FASS 2054

 

Cultural Studies (MA)

Interview** : May 6 – 7, 2014 - 9:30 - FASS 2056

 

Conflict Analysis and Resolution (MA)

Interview**: May 22 - 23, 2014 - 9:30 - FASS 2054

 

History (MA/PhD)

Written Exam* : May 5, 2014 - 10:00 - FASS 1099

Interview** : May 8, 2014 - FASS 2054

 

International Relations (MA)

Interview**: May 22 - 23, 2014 - 9:30 - FASS 2054

 

Political Science (MA/PhD)

MA Written Exam / PhD Gateway Exam * : May 16, 2014 - 11:40 - FASS 1096-1098

Interview** : May 21, 2014 - 10:00 - FASS 2056

 

Turkish Studies (MA)

Interview** : May 6, 2014 - 11:00 - FASS 2054
                  May 7, 2014 - 9:30  - FASS 2054

 

Visual Arts and Visual Communication Design (MA)

Written Exam*: May 21, 2014 – 12:30 - FASS G022

Interview** : May 22, 2014 – 12:30 - FASS 2056

 

*All candidates are required to attend the admission exam / interview at the given date.

Applicants for more than one program must get in touch with the contact names of those programs and petition to take the entrance exams in a different time period to avoid possible time conflicts. 

 **Eligible candidates are going to be invited via e-mail for the interview.

 

Applications:

Online applications are accepted via http://admission.sabanciuniv.edu/ . Application documents (official exam results, transcript, etc..) should be uploaded on the online system and application packages be submitted either in person or post by mail to the address below. Please note that print-out of the completed application form should also be added to the application package. The packages sent via mail must arrive at the department by the application deadline. Applications sent via e-mail are not accepted.

Warning! All the application documents become property of Sabancı University. It is suggested to keep the original reports of TOEFL, GRE and ALES scores, and apply with the copies of those test scores. But please note that the originals must be produced at the time of registration to Sabancı University.

 

Student Resources Office
Sabancı University, Orhanlı
34956, Tuzla/ İstanbul-Turkey
www.sabanciuniv.edu
Phone: +90 (216) 483 9093
Facsimile: +90 (216) 483 90 73
E-mail: studentinfo@sabanciuniv.edu

“Gender Equality in Turkey”

In honor of the late Sakıp Sabancı, Honorary Chairman of the Board of Trustees of Sabancı University, the Sakıp Sabancı International Research Awards will be given for the 9th time this year at a ceremony hosted by Board of Trustees Chair Güler Sabancı and President A. Nihat Berker on Tuesday, May 13, 2014, at the Sabancı University Sakıp Sabancı Museum the Seed.


Given by Sabancı University in fields including Turkish and Islamic art, and the history, economy and sociology of Turkey, the Sakıp Sabancı International Research Awards will be given in “Gender Equality in Turkey” this year.

The theme was chosen because despite significant efforts and progress toward reducing the gender gap in its economic, political and social life, Turkey has fallen short of realizing the goal of gender equality by most standards. To cite only one assessment, it ranks 124th out of 135 countries in World Economic Forum's Global Gender Gap Report in 2012. It is thus as urgent as ever to understand the nature and extent of gender-based inequalities in Turkey in their structural dimensions and diverse patterns, as well as to recognize and evaluate the scope and impact of the achievements in the direction of equality. This requires a consideration of the interconnections between different domains of the gender regime in Turkey, from economic and political practices that prevent equal empowerment, to the taken-for-granted forms of everyday gendered behavior, the propagation of patriarchal values, or the restrictions on sexuality and gender identity rights. Such a consideration will benefit from alternative conceptualizations of persisting problems, proposals for new countervailing strategies, and the contextualization of issues of gender equality in different theoretical and comparative frameworks.


Sabancı University Gender and Women’s Studies Forum Director Sibel Irzık will speak at the ceremony on behalf of the jury panel consisting of internationally-distinguished scholars from Turkey and the world.  The Jury Prize will be given for the third time this year.

About the Sakıp Sabancı International Research Awards:
•    All entries, which may be coauthored, must be new and original works, not published previously in any form.
•    Essays must be of the format and size of a regular academic journal article (25 to 35 pages, in double-space format, including references).
•    An abstract of 500 words embedded into the original essay and a short CV of the author(s) are required.
•    Entries must be submitted in English, in the form of a Word document to the following address: http://award.sabanciuniv.edu/submityourentry/
•    A series of Essay Awards will also be given to researchers under 45 years of age. Th¬is category includes 10,000 USD for each of three award-winning essays selected by the same jury panel from among submissions made for the competition.
•    Th¬e Sakıp Sabancı International Research Award entails a Jury Prize for 25,000 USD on the above-mentioned theme.  The Jury Prize will be awarded to an individual who has made distinguished contributions in this theme.  The same jury will select this Awardee.


For further information: http://award.sabanciuniv.edu

Program
Date:      Tuesday, May 13, 2014
Time:      7:15 pm Welcome
               7:30 pm Awards Ceremony
               8:30 pm Refreshments
Place:     Sabancı University Sakıp Sabancı Museum, the Seed

Time Is Money

NEW EXHIBITION AT KASA GALLERY

Time Is Money

OLGA KISSELEVA

Time is Money and Money Is Time are the two new exhibitions by Olga Kisseleva for Kasa Gallery and for the Museum of Contemporary Cuts. The exhibitions are conceived as two complementary and intertwined shows that happen simultaneously in physical and online spaces, creating a constant dialogue and reflection on the concept of money and time.


Time is Money, the exhibition at Kasa Gallery, will show a series of artworks and videos by Kisseleva that analyze the monetizing of time not as an invaluable personal possession but as an object that can be exchanged. As an artist that crosses multiple media – video, installations, performances – Kisseleva through her works of art questions the role that we all play in relinquishing our time for monetization.

Particularly within the context of contemporary 21st century media based societies, technology allows massive forms of exploitation and abuse. Time, as a personal property, is left at the mercy of a large variety of forms of exploitation that enshrined in forms of crowdsourcing and capitalistic frameworks of servitude, transpose time from the individual’s agenda to the corporation’s agenda. The tasks associated with time are no longer dictated by individual concerns but by corporative structures that, by re-allocating and creating tasks, steal time and money.

The landscape, in Kisseleva’s works of art, is a space of exploitation and abuse where time signals the disappearance of resources; the time left to consume resources is directly related to the time necessary to appropriate those resources. Consumption is instantaneous – and within the circuit of the circulation of goods even anticipated with Futures; the time of the future (a time not come into existence yet) is already consumed. 

In this landscape humanity itself becomes part of the ‘consumption goods.’ Its time is taken away and reassigned in the increased velocity of human interactions restructured and framed within meta-data frameworks of post-capitalistic exploitation.

Senior Curator: Lanfranco Aceti.

Event Manager: Çağlar Çetin.

Exhibition dates: May 9 – June 7, 2014.

Address: Kasa Galeri Bankalar Cad. No: 2, Karakoy, Istanbul.

Visiting hours: 10:00 – 17:00 every day except Sunday.

Follow Kasa Gallery on the web:

Website: http://kasagaleri.sabanciuniv.edu

Facebook: https://www.facebook.com/pages/Kasa-Galeri/77695156678

Twitter: http://www.twitter.com/kasagaleri

Summer Semester Dorm Applications

SUMMER SEMESTER DORM APPLICATIONS

Details of placement and payments for undergraduate and graduate students who wish to use dormitory facilities in the 2013 - 2014 Summer Semester are given below.

  • The details of students who will be staying at the dormitories for summer semester projects, compulsory internships, Summer Semester School of Languages (7 weeks) or the Summer Semester Courses (7 weeks) will be provided to Accommodations Services by the administrative assistans of faculties and Student Resources.
  • Housing applications for the 2013 - 2014 Summer Semester will be made on-line at the student information system(bannerweb.sabanciuniv.edu). Applications will begin on 20.05.2014 at 10 am and end on 16.06.2014  at 5 pm.
  • Placement results of all students applying online will be announced on student information system 20.06.2014.
  • Dormitory fees must be paid between 20.06.2014 and 24.06.2014.

Having paid their fees, Foundational Development Year students may apply to the dormitory managers with their payment slips starting on 24.06.2014 to enter their rooms, Undergraduate and Graduate students starting on 29.06.2014.

We would like to remind you that you need to apply on-line even if lists have been sent to Housing by your faculties and Student Resources.

2013 - 2014 SUMMER SEMESTER HOUSING FEES

For students attending the Summer Semester Courses (7 weeks) and the Foundational Development Year Summer School (7 weeks):

  • 4 person room 700 TL/per person/per semester/VAT Included
  • 2 person room 1.100 TL/per person/per semester/VAT Included
  • 1 person room 1.500 TL/per person/per semester/VAT Included

Undergraduate - Graduate students which stay at dormitory for that compulsory internship, assistantship, project: (In case of housing for 15 days or less in a month, the housing fee will be reduced by half. In case of housing for more than 15 days, the full rate will apply)

  • 4 person room 300 TL/per person/per month/VAT Included
  • 2 person room 400 TL/per person/per month/VAT Included
  • 1 person room 500 TL/per person/per month/VAT Included
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